stage director See also In their Met debuts, Yulia Matochkina sings Maddalena, and Ante Jerkunica sings Sparafucile. But the ensuing Act is where her commitment to the character was at its most powerful. His singing had rawness and pointedness, particularly as he poked fun at Ceprano and Monterone. His particular interests include 20th century French violin sonatas and baroque opera, and he is currently pursuing his PhD in London, UK. Audio from the December 31, 2021, as well as the January 4, 19, and June 8, 2022, performances will be streamed live on the Mets website, metopera.org. The ensuing stanza was sung with a similar gentleness, but you could feel that she was taking a bit more time with it, thus amplifying the intensity so that the second climax to the high A, despite a similar dynamic phrasing, had a punchier, emotional impact and set up the increased agitation of what follows. In a remarkable career spanning six decades in the theater, Giuseppe Verdi (18131901) composed 26 operas, at least half of which are at the core of todays repertoire. O gioia! You could feel the excitement of this crescendo, exploding with vibrant sound on O gioia and then once again a few bars later on Allonda!. His voice works beautifully in the acoustic of the Met, filling the auditorium with rich, golden tone, which he is able to bring down to a mere thread of sound. Directed for the screen by Gary Halvorson. She also conducted the Met's original cast album of Akhnaten, which won the 2022 Grammy Award for Best Opera Recording. After a lauded premiere on New Years Eve 2021, Bartlett Shers Art Decoinspired production of Verdis ever-popular masterpiece returns for its first revival. The music says one thing, the stage says another. Nov 17, 2022 Metropolitan Opera 2022-23 Review: Rigoletto Quinn Kelsey, Benjamin Bernheim, Rosa Feola Shine Amidst Musical Chaos By David Salazar (Credit: Curtis Brown) In a recent interview with OperaWire, composer Lori Laitman noted that Verdi's " Rigoletto " was among her favorite operas. Often times, she was very flexible and allowed the lines to bend and flow organically, but more often than not, those moments would be followed by shockingly fast tempi that threatened to derail the entire enterprise. But as the aria transitioned away from anger toward pleading, his voice correspondingly softened. . His 2014 interview with opera star Kristine Opolais was cited in a New York Times Review. She displayed an elegant legato line in her Quanto affetto, her voice crescendoing as the line rose to first a G natural and then a high B flat a few bars later. Other recent highlights include Lauretta in Gianni Schicchi at the Bavarian State Opera, Norina in Don Pasquale and Adina in LElisir dAmore at La Scala, Fiorilla in Il Turco in Italiain Zurich, and Ilia in Idomeneo and Micala in Carmen in Rome. {{::date | momentFormat:'D'}}{{$last ? '' And considering that this is an opera that has been done time and again, it was refreshing to hear her test the limits of what this music could do. 2022 | 19:00 Rigoletto, Verdi, The Metropolitan Opera | New York City, United States l. Runtime: 210 min. This was present at the Allegro vivo following Rigolettos Ah no: folia at the end of Pari siamo and then at the start of Addio speranza ed anima. It was present in the middle of Act two Gilda-Rigoletto duet Tutte le feste al tempio with Rigolettos entrance Ah! 133 subscribers The 2022 Metropolitan Opera production of Giuseppi Verdi's Rigoletto was incredible to watch. or do we focus on Gildas preparations for her sexual encounter with the Duke? SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19, Skylark Opera Theatre To Present Regional Premiere Of Jake Heggie's THREE DECEMBERS. While the soprano was at her best during the delicate opening lines of the piece, her piano singing almost parlato in its effect and generating a powerful intimacy between audience and performer. Tenor Stephen Costello is her self- centered lover Alfredo, alongside baritone Luca Salsi as his disapproving father, and Maestro Daniele Callegari on the podium. Samson et Dalila (Saint-Sans) Tosca (Puccini) The Elixir of Love (Donizetti) camera operator Music Department Additional Crew Bartlett Sher . Rigoletto contains a wealth of melody, including one that is among the worlds most famous: La donna mobile. All the operas solos are rich with character insight and dramatic development. This next section, which also climaxes with a triplet sixteen run to a high A, was even more intense in its anguish, allowing her to end it on a aptly harsher vocalization for pi crudel. The rest of the duet was equally magical with Feolas softer singing matching Kelseys glorious piano sound, but the way she phrased these opening bars was so powerful in not only the emotional weight they carry in the dramatic moment, but in the care and precision with which Feola delivered them and the resulting emotional impact they produced. Too often, these are underrehearsed affairs, with unimaginative casting and uninspired direction. The second run of Bartlett Sher's new production of Verdi's Rigoletto stars baritone Quinn Kelsey in the title role, soprano Erin Morley as Gilda, mezzo-soprano Yulia Matochkina as Maddalena, tenor Stephen Costello as the Duke of Mantua, and bass Ante Jerkunica as Sparafucile. Compounding Bernheims performance during this scene was how much fun he seemed to be having, not only flirting with Akhmetshina, but even caressing a cross on the wall, a childish smile on his face. New York, NY (February 23, 2022)The Metropolitan Opera today announced its 2022-23 season, which features seven new productions, the most in ten seasons.Opening Night is September 27 with the company premiere of Cherubini's Medea, starring soprano Sondra Radvanovsky in the title role alongside tenor Matthew Polenzani in David McVicar's new staging, conducted by Carlo Rizzi. In the ensuing scene with Feola, he refused to meet her gaze throughout, drawing her frustration, even becoming a bit harsh as she insisted on hearing her story. She performs regularly at the Moscow Easter Festival, St. Petersburgs Stars of the White Nights Festival, and has also appeared at the Edinburgh and Verbier Festivals. Is it possible to have a minor success on every level? She has conducted Verdi's Rigoletto at the Hamburg State Opera, Theater Freiburg, and Malm Opera. But hes here now and he was definitely worth the wait. When he does, out comes a richly human creature . From her feverish rushing down the stairs to greet her father, you could sense a character full of energy and aspiration. Right before the duet with the Duke, Feola delivered a glorious piano to forte crescendo on Tamo before being cut off as the duet proper got underway. And OperaWire came about as a desire to take in as much of it and allow the passionate fan base access to everything this wondrous art form has to offer on a daily basis. She played up her flirtation with the Duke throughout the quartet and then provided assertiveness throughout the trio. She has also sung Gilda at the Bavarian State Opera, Lyric Opera of Chicago, Ravenna Festival, and in Rome, Zurich, Turin, and Savona. The moment the Duke started his Bella figlia dellamore, Feolas expression shifted she had heard those same words and suddenly she was curious to see what was happening. One of the things that is so incredible about Rigoletto within Verdis oeuvre is its pacing. Anna Yuryevna Netrebko (Russian: ; born 18 September 1971) is a Russian and Austrian operatic soprano with an active international career and performed prominently at the Salzburg Festival, Metropolitan Opera, Vienna State Opera, and The Royal Opera.. Returning from the premiere cast were Quinn Kelsey and Rosa Feola as Rigoletto and Gilda. But for all this chaos, it is worth noting that in moments where the singers sounded uncomfortable with her tempi, Scappucci was quick to adjust to them, allowing them to bring their best to the performance. Mezzo-soprano Isabel Leonard hosts. World premiere: Teatro La Fenice, Venice, 1851A dramatic journey of undeniable force, Rigoletto was immensely popular from its premiere and remains fresh and powerful to this day. Opera Met Opera's 2022-2023 Season Includes Rene Fleming and Kelli O'Hara in The Hours, Terence Blanchard's Champion, More. He earned a Tony Award for directing South Pacific in 2008 and received Tony nominations for his Broadway productions of Golden Boy, Joe Turners Come and Gone, Awake and Sing!, and The Light in the Piazza. With his big shoulders, big jaw, and his great, shiny Half Dome of a head, Kelsey gives Rigoletto immense presence even before he opens his mouth. This was a performance to remember from Kelsey, who drew you in with a truly immersive and powerful characterization. For instance, the production included an elevator-like structure in the center of the stage that moved up and down in . We are doing maintenance on the website until approximately 1 am ET Friday, February 10. She made her debut at the Salzburg Festival in 2019, where she sang the role of Federica in a concert performance ofLuisa Miller. During the quartet, Bella figlia dellamore, Bernheim delivered another display of glorious legato singing. It gave off the aria less of a playful feel and emphasized the romantic longing of Gilda. This opera, like many of the composers greatest, moves. There are plenty of vocal thrills in Sir David McVicar's new production of Giordano's revenge thriller at the Metropolitan Opera. Then there were tempo shifts that seemed to come out of nowhere, breaking the flow of the momentum and jerking you out of the action; moreover, they often felt out of control and unstable, rushing forward initially and then calming down. Italian soprano Rosa Feola returns to the Met this season as Gilda, the role of her 2019 company debut. The Metropolitan Opera ended its mid-winter hiatus with the much anticipated premiere of Franois Girard's production of Wagner's Lohengrin on Sunday afternoon. The moment where this kind of tempo whiplash stood out more was right before Cortigiani, Rigolettos other big solo moment. American baritone Quinn Kelsey returns to the Met this season, making his company role debut in the title role of Rigoletto. This choice also fit in nicely with the coloratura, generating a fluidity throughout. Please check if you entered the email address correctly. Then theres some bizarre choices like the sudden abstraction during the Act three trio where the lights go red inside the inn and Gilda has a seeming out of body experience? It provided a seamless transition into the Piangi, with Kelsey crescendoing from the C natural into the ensuing D flat. For further details on Rigoletto, including casting by date, please click here. Its an intimate passage and one of Verdis most radical (at the time). Continues through Jan. 29 with this cast and conductor at the Metropolitan Opera, Manhattan; metopera.org. In Act two, he arrived on the scene like a man on a mission, his head on a swivel, his body frantic as it searched for his missing Gilda. And so we come to the end. Francesco Maria Piave (1810-76), Verdi's librettist for Rigoletto, collaborated with him on ten works, including Ernani, La Traviata, La Forza del Destino, and the original versions of Macbethand Simon Boccanegra. These PDFs do not include cast changes that occurred after the program went to print. After opening with hushed pianissimo on the opening line, his voice exploded with intensity and desperation before resorting back to another soft repetition of Quel vecchio maledivami! Bitterness ensued during O rabbia! Even when she rejected him, he continued searching for her, his repetition of the piangi melody even more lush than before. Mia colomba, lasciarmi non dei!These were sung with the softest piano singing that Kelsey managed the entire evening, his voice but a weeping thread of sound, each time growing softer and more heart-breaking, especially as he held her in his arms. But she eventually found her way back with the cadenza, and the arias coda where her elegant legato line returned us to the initial bliss. Rigoletto (Verdi) The Abduction from the Seraglio (Mozart) The Merry Wives of Windsor (Nicolai) La bohme (Puccini) 1993-1994 Season. The December 31 performance, as well as the January 4, 19, 29, and June 8, 2022, performances of Rigoletto will be broadcast live on Met Opera Radio on Sirius XM Channel 355. From there his voice grew even more tender, each ensuing phrase a caress as he reached out toward his hurting daughter. Met Opera | April 22, 2023 . American set designer Michael Yeargan has designed more than a dozen productions for the Met, including the Gershwins Porgy and Bess, Romo et Juliette, LElisir dAmore, Les Contes dHoffmann, Le Comte Ory, and Il Barbiere di Siviglia. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Verdi doesnt waste a moment and every single note in the piece plays a crucial role in building its tension and tragedy. In adapting it, Verdi and Piave fought with the Italian censors and eventually settled on moving the story to the non-royal Renaissance court of Mantua, while holding firm on the core issues of the drama. A new cast brings the Met's Rigolettoto life Kevin W Ng, 11th November Three major Metropolitan Opera debuts bring excitement and vocal glamour to this revival of Bartlett Sher's Rigolettoproduction. The fermata high A natural a few bars featured a beautiful portamento down an octave before the soprano took her time before even more delicate piano singing on lass in ciel, each one softer and slower than the one before, Gilda fading slowly while drawing the audience closer and closer to her every step of the way. His other recent performances include Cavaradossi in Tosca at the Vienna State Opera, des Grieux in Manon in Zurich, and Rodolfo in Luisa Miller at Gran Teatre del Liceu in Barcelona. David holds a Masters in Media Management from Fordham University. Other performances are November 14, 17, 20mat, 26mat, 29, and December 3, 8, 11mat, 14, 17mat, 20, 23, and 29. She has performed many roles with the Paris Opera, including Ottone in LIncoronazione di Poppea, Isabella in LItaliana in Algeri, Ulrica in Un Ballo in Maschera, and the title role of Carmen and Olga in Eugene Onegin. Bass-baritone John Relyea is Sparafucile, and mezzo-soprano Aigul Akhmetshina also debuts as Maddalena. Far more traditional in tone than Michael Mayer's groovy 2013 Las Vegas Rat Pack Rigoletto, this staging . The aforementioned Possente creates some major visual dissonance for the audience do we focus on the tenor singing the aria? We might use this to show you more relevant content, We might use this to let you know about interesting events to attend near you, We might use this to address you personally in our newsletters. He is a resident director of Lincoln Center Theater, where his productions have included My Fair Lady, Oslo, The King and I, and Women on the Verge of a Nervous Breakdown. The Met: Live in HD - Rigoletto 2022 2,164 views Jan 14, 2022 16 Dislike Share Save Trafalgar Releasing 12.8K subscribers Tony Award-winning director Bartlett Shercreates a bold new take on. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. He remarks how both men are similarly toxic, a comparison that the opera continually draws between all the male characters as the story develops. Arizona Opera officially announced its 2023/24 Season, featuring four opera productions including a World Premiere in Phoenix and Tucson, as well as the companys inauguralNew Works Festivalin Phoenix, and a new series of community concerts in Tucson. While she got off to a promising start during that Preludio, the string tremolos surging forward toward the fortissimo orchestral explosions, things started to get a bit hairy once the singers took the stage. SAS Performing Arts Concert Opera presents the only New York City performance of the Puccini work Il Trittico. Kevin Puts'. That didnt last long as he took on a harder and more aggressive edge with S vendetta, exploding with a sound at the climax of this passage. This season, he begins his tenure as the principal guest conductor at the Bavarian State Opera. What they presented as soprano is actually coloratura, which is the very highest voice type, up there in the range of the very highest choral descants. He made his Met debut in 2007 as Arturo in Lucia di Lammermoor, with other roles for the company including Camille de Rosillon in The Merry Widow, Lord Percy in Anna Bolena, Romo in Romo et Juliette, and Alfredo Germont in La Traviata. N New Production. It was also quite present during the S vendetta where the initial tempo surged forward so immediately that the actual stringendo written into the score near its climax sounded like a slowdown instead. If you are using Internet Explorer or other browsers you may encounter problems with certain sections of our website. Verdis Rigoletto is one of my favorites and the use of music to reveal the horrific fact that the Duke is still alive is so chilling, she noted. As Maddalena, Mezzo-soprano Aigul Akhmetshina displayed a plush and punchy sound that matched perfectly with bass John Relyea throughout the trio. Our website has been optimized for viewing in the latest versions of Chrome, Firefox, and Safari. SAS Performing Arts Concert Opera Presents Puccini's IL TRITTICO, Arizona Opera Announces Its 2023/24 Season Line-up, THE ARTWORK OF THE FUTURE World Premiere Opera To Run At Fresh Squeezed Opera, May 13-19. Previous GREAT PERFORMANCES programs include "Romeo & Juliet" from the National Theatre, "The Arts Interrupted," "Reopening: The Broadway Revival" and "The Conductor." During Pari siamo, Kelsey revealed the wide-ranging gamut of colors at his disposal. Music Director Yannick Nzet-Sguin is on the podium to conduct a supreme cast led by tenor Piotr Beczaa in the title role of the mysterious swan knight. Speranza Scappucci conducts Bartlett Sher's production. Baritone Quinn Kelsey and soprano Rosa Feola reprise rapturously acclaimed turns as the tragic jester Rigoletto and his headstrong daughter, Gilda, and two artists make noteworthy Met debuts: tenor Benjamin Bernheim as the promiscuous Duke of Mantua, and Maestro Speranza Scappucci on the podium. Revivals of operatic warhorses like Verdi's Rigoletto can be hit or miss at an opera house the size of the Metropolitan Opera. A new opera by composer Eric Moe and librettist Rob Handel, The Artwork of the Future, will have its world premiere in a production by Fresh Squeezed Opera in five performances at HERE Performing Arts Center in SoHo on May 13, 14, 16, 18, and 19, 2023. This conversation features leaders of the Dallas Symphony, including Ross . Varduhi Abrahamyan plays Maddalena and Andrea Mastroni plays Sparafucile. But he had a major triumph this year as the Grand Inquisitor in Don Carlos and then . GREAT PERFORMANCES is on Facebook+ follow @GPerfPBS on Twitter. All performances to. Rigoletto at the Met, Spring Cast May 2, 2013. . She made her Met debut during the 201819 season performing the role of Lauretta in Gianni Schicchi. This original and thrilling production is led by Metropolitan Opera conductor Gregory Buchalter and directed . Browsers you may encounter problems with certain sections of our website Grammy Award for Best Opera Recording mezzo-soprano. 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